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The Odyssey

The Odyssey is an ancient Greek epic traditionally attributed to Homer (epic poet)Homer (epic poet)Homer (epic poet) is the traditional poet associated with the ancient Greek epics The Iliad and The Odyssey. Reliable contemporary biographical evidence is lacking, and the relationship between the poems and a long oral tradition remains central to Homeric scholarship.Open the full entry. Across 24 books it follows OdysseusOdysseusOdysseus is the legendary hero of Ithaca, protagonist of The Odyssey and a Greek leader in The Iliad. His long return from the Trojan War to Penelope (Greek mythology) and Telemachus centers on cunning, disguise, endurance and recognition.Open the full entry’s return to Ithaca after the Trojan WarTrojan WarThe Trojan War is the legendary conflict between Greek forces and Troy that forms the background to The Iliad and The Odyssey. Archaeology and ancient documents illuminate its possible historical setting without verifying every character and event in the tradition.Open the full entry and reunion with Penelope (Greek mythology)Penelope (Greek mythology)Penelope (Greek mythology) is Odysseus’s wife and Telemachus’s mother in The Odyssey. While suitors occupy her household, she delays remarriage and ultimately verifies the returned Odysseus through their bed’s private construction.Open the full entry and Telemachus, interweaving sea adventures, recognition, household order and human choices.

Contents14 sections
Key facts

Traditional Authorship and Oral Poetry

The Odyssey and The IliadThe IliadThe Iliad is an ancient Greek epic traditionally attributed to Homer (epic poet). Centered on the anger of Achilles during the Trojan War, it covers a limited portion of the conflict and ends with Hector’s funeral rather than the fall of Troy.Open the full entry are traditionally attributed to Homer (epic poet). The Odyssey is commonly situated around the eighth century BCE, but precise dating, the transition from oral performance to writing and the poet’s identity remain debated. It is an epic narrative, not a historical travel record of Odysseus.⁠[1]

The Final Stage of Return and a Long Flashback

The 24 books do not begin with departure from Troy. Odysseus is initially with Calypso (Greek mythology)Calypso (Greek mythology)Calypso (Greek mythology) is the goddess on Ogygia in The Odyssey who shelters and detains Odysseus and offers him immortality. After Hermes conveys Zeus (Greek god)’s order, she releases him and helps equip his raft and voyage.Open the full entry while Penelope (Greek mythology) and Telemachus face the suitors on Ithaca. Books 9–12 give his own retrospective account to the Phaeacians; from Book 13, the emphasis shifts to testing, recognition and conflict at home.⁠[2][3][4]

Books 1–4: Telemachus Searches for His Father

Books 5–8: Departure and Hospitality

Book 9: Polyphemus and the Nobody Stratagem

The recollection includes the Lotus-Eaters and the Cyclops. Odysseus uses the name Nobody, wine, a heated stake and concealment beneath sheep to escape PolyphemusPolyphemusPolyphemus is the Cyclops who imprisons Odysseus and eats members of his crew in Odyssey Book 9. After being blinded, he appeals to his father Poseidon (Greek god) for revenge, linking the encounter to the later troubles of homecoming.Open the full entry. Revealing his true name afterward allows the Cyclops to appeal to Poseidon (Greek god), turning a successful escape into the source of further trouble.⁠[3]

Books 10–11: Circe and the Dead

The opened bag of winds and the Laestrygonian attack undo progress. On Circe’s island, crew members become pigs until Odysseus, protected through Hermes (Greek god), secures their restoration. CirceCirceCirce is a goddess associated with drugs and transformation in Greek mythology. In The Odyssey she turns members of Odysseus’s crew into pigs, later restores them and gives essential guidance for their onward journey.Open the full entry later directs him to the dead Tiresias, whose prophecy concerns the Sun’s cattle, the suitors and obligations beyond homecoming.⁠[9][10]

Book 12: Sirens, the Passage and the Crew’s Death

Books 13–20: Homecoming Under Disguise

The Phaeacians bring Odysseus to Ithaca, where Athena (Greek goddess) helps disguise him as a beggar. He reunites with Telemachus at Eumaeus’s hut and enters his household to assess friends and enemies. Eurycleia recognizes his scar while washing his feet. Identity is disclosed gradually rather than settled simply by arrival.⁠[4][12][13]

Books 21–22: The Bow and the Household Reckoning

Penelope (Greek mythology)’s contest requires stringing the bow and shooting through twelve axes. The suitors fail and Odysseus succeeds. He, Telemachus and loyal servants then attack the suitors. The reckoning extends to servants who assisted them, joining restoration of household authority to violent punishment.⁠[14][15]

Books 23–24: The Bed, the Father and Settlement

Penelope (Greek mythology) tests the returned man through the secret of their bed before the couple reunite. Odysseus then sees Laertes, but the suitors’ relatives prepare retaliation. Zeus (Greek god) and Athena (Greek goddess) intervene to stop further bloodshed. The close combines family recognition with the problem of order after violence.⁠[16][17]

Cunning, Hospitality and the Cost of Return

Polyphemus rejects obligations to guests, while the Phaeacians offer hospitality. Treatment of strangers repeatedly shapes relationships. Odysseus survives through cunning but brings consequences on himself by revealing his name. His choice of home over Calypso (Greek mythology)’s offer of immortality connects mortal life, family memory and endurance.⁠[3][7][8]

Textual Transmission and Variant Lines

A papyrus fragment at The Metropolitan Museum of Art, dated about 285–250 BCE, preserves material from Book 20 including three lines absent from today’s standard text. The object documents ancient variation and distinguishes traditional authorship from surviving copies and modern editions.⁠[18]

From Ancient Images to Later Art

Odysseus’s adventures became subjects for ancient objects and later art. Encounters with Polyphemus and Circe and scenes of return were repeatedly reinterpreted; Scylla and Charybdis also served as an image of difficult choices. Such adaptations have their own contexts and should be distinguished from details actually present in Homer (epic poet)’s poem.⁠[1]

Sources

  1. THE ODYSSEY: THE STORY OF ODYSSEUS IN THE ANCIENT WORLD & BEYOND (opens in a new window)
  2. HOMER, ODYSSEY 1 (opens in a new window)
  3. HOMER, ODYSSEY 9 (opens in a new window)
  4. HOMER, ODYSSEY 13 (opens in a new window)
  5. HOMER, ODYSSEY 3 (opens in a new window)
  6. HOMER, ODYSSEY 4 (opens in a new window)
  7. HOMER, ODYSSEY 5 (opens in a new window)
  8. HOMER, ODYSSEY 8 (opens in a new window)
  9. HOMER, ODYSSEY 10 (opens in a new window)
  10. HOMER, ODYSSEY 11 (opens in a new window)
  11. HOMER, ODYSSEY 12 (opens in a new window)
  12. HOMER, ODYSSEY 16 (opens in a new window)
  13. HOMER, ODYSSEY 19 (opens in a new window)
  14. HOMER, ODYSSEY 21 (opens in a new window)
  15. HOMER, ODYSSEY 22 (opens in a new window)
  16. HOMER, ODYSSEY 23 (opens in a new window)
  17. HOMER, ODYSSEY 24 (opens in a new window)
  18. Papyrus fragment with lines from Homer's Odyssey (opens in a new window)